The Things We Keep 29/62 A3
Part of The Things We Keep, a photographic exhibition presented at The Front Room Gallery for Melbourne Design Week 2026.
Each artwork began with a personal object belonging to a creative, collector, designer, artist, or maker from across Australia. These objects were then handed to photographers, not simply to be documented, but interpreted - transforming private possessions into shared artworks shaped by memory, atmosphere, and emotional response.
Presented as a limited edition of 20, each A3 artwork is printed in Melbourne on fine art cotton rag paper as part of an exclusive companion release available through The Hub General Store. Artwork printing leadtime up to 1 week.
Photographer: Caroline McCredie
Creative / Collector: Fiona Lynch
29/62. Glass is melted sand, cooled into something that sits somewhere between liquid and solid. I have kept these objects for the way they hold and shift light — clear one moment, almost disappearing the next. I made them with Mark Douglas during a visit to his Melbourne studio while discussing a commission. Small, playful, and quietly luminous, they remind me of the joy that comes from being inside an artist’s working world.
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Description
Part of The Things We Keep, a photographic exhibition presented at The Front Room Gallery for Melbourne Design Week 2026.
Each artwork began with a personal object belonging to a creative, collector, designer, artist, or maker from across Australia. These objects were then handed to photographers, not simply to be documented, but interpreted - transforming private possessions into shared artworks shaped by memory, atmosphere, and emotional response.
Presented as a limited edition of 20, each A3 artwork is printed in Melbourne on fine art cotton rag paper as part of an exclusive companion release available through The Hub General Store. Artwork printing leadtime up to 1 week.
Photographer: Caroline McCredie
Creative / Collector: Fiona Lynch
29/62. Glass is melted sand, cooled into something that sits somewhere between liquid and solid. I have kept these objects for the way they hold and shift light — clear one moment, almost disappearing the next. I made them with Mark Douglas during a visit to his Melbourne studio while discussing a commission. Small, playful, and quietly luminous, they remind me of the joy that comes from being inside an artist’s working world.
